Transient sadness is a purported fundamental feeling that can be seen in individuals, independent of social foundation. 1 Sadness is portrayed by low physiological and physical movement, tiredness, decreased enthusiasm for the external world, low state of mind, rumination, diminished etymological correspondence, and a withdrawal from social settings.2,3 In addition, sadness is especially connected with the consciousness of a permanent separation, the loss of a connection figure or of an esteemed part of oneself, and also the breaking of social bonds 4,5. Accordingly, the experience of sadness is regularly thought to be unfortunate and is in this way often maintained a strategic distance from in regular day to day existence. Henceforth, the inquiry emerges with respect to why individuals look for and acknowledge sadness in music. The intrigue of sad music has always been a significant issue in style from antiquated to present day times 6,7,8. It is astounding that, regardless of so much philosophical discussion, there is yet expansive difference about this principal part of the tasteful experience. All things considered, both the logical and the philosophical writing have reliably revealed that, notwithstanding trouble, pitiful music additionally evokes pleasurable emotions, going from a liberating sensation to a condition of significant excellence 9,10,11. Be that as it may, it is hard to make determinations concerning the idea of the joy experienced because of sad music (e.g., regardless of whether this is because of the examination of melodic and acoustic highlights or to different kinds of intellectual or passionate procedures) because of the sadness of exact research on the subject. The investigation of the connection among misery and joy has been dismissed by mental research on music and emotion, which transcendently has concentrated on different parts of the issue, for example, the job of individual contrasts or the connection among felt and seen emotion considering sad music.