The decision to answer for managing these

The Cellist
of Sarajevo Critical Response to Text

 

What does
this text suggest to you about an individual sacrificing their morality and
identity for the sake of the betterment of their society?

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At the point
when an individual sacrifices their identity and beliefs for the betterment of
society this can regularly be characterized as selflessness. Captivating
conditions, for example, the Bosnian War, frequently push people to step up
with regards to making self-penances. In Steven Galloway’s novel, The Cellist
of Sarajevo, one can be overpowered with ethically clashing conditions which
push a person to change their past personality and manufacture contempt inside
the person. Disdain is a primary driver of the decision to make these penances.
Arrow, one of the main characters who is an expert riflewoman who works for the
city, whose duty is to execute the adversaries on the hills regularly alluded
to as “The men on the hills”. All through the novel, we watch her
battle with deciding how to manage compelling conditions. Arrow’s decision to
answer for managing these conditions is to forfeit every last bit of her past
ethics and personality to keep the city she has experienced childhood in, safe.
In these conditions an individual may wind up endeavoring to extend her ability
to sacrifice herself to pick up another personality; notwithstanding, through
difficulty, she may end up dealing with surrendering who she used to be is
depriving her of her past ethics and identity.

 

At the point
when people are brought towards harsh circumstances, they may need to conflict
with their past morality for the survival of themselves and their city. Since
the making of her persona, Arrow, Alisa has encountered a few changes amid her
character curve, in which her profound quality and good compass are put to a
definitive test. The first being when Arrow was searching for the ideal shot at
two troopers in the stairwell. Arrow discloses why she shoots at these
warriors, “She is different from the snipers on the hills. She shoots only soldiers.
They shoot unarmed men, women, children. When they kill a person, they seek a
result that is far greater than the elimination of that individual. They are
trying to kill the city” (11). The thought on why the warriors murder unarmed
regular folks help Arrows scorn towards “The men on the hills” her
conviction that she is superior to them essentially in light of the fact that
she shoots them due to their identity and what they do pushes her to settle on
decisions she could never have made. Not long ago, she was 18, Arrow was given
the genuine importance of life and how valuable it will be “It’s a rare gift to
understand that your life is wondrous and that it won’t last forever” (12). Arrow’s
need to feel safe in her city revolves around her shooting soldiers that
endanger her homeland and its citizens. She believes that keeping the citizens
of Sarajevo safe has now become her duty. Changing what she believes in enables
her to become a security monitor to the city. She tries to make the city to
feel sheltered as it was once not too long ago. Arrows past beliefs do have
some impact on the decisions she makes while killing soldiers, she jumps at the
chance to pick her own particular targets and in some intense circumstances she
is just ready to pick one individual out of a gathering “And if she must choose
just one of the soldiers she would like to make the right choice, if there’s a
right choice” (15). She still needs the satisfaction of knowing that she is
making the right decision, so she discovers approaches to contrast herself from
the soldiers and convinces herself that she is protecting Sarajevo and is
making the right decisions in Sarajevo’s conditions. Arrow’s morals were never
to hurt any sort of individual, “the woman who sat in this office on that day
and said she didn’t want to kill anyone was gone” (71-72). Since Alisa adjusted
to another persona, she has lost her past beliefs, because she knew her skill
would come to use to protect the citizens of Sarajevo and also be used towards
her survival throughout the war. When an individual rids themselves of their
previous morals it creates a whole new persona for them.

 

When an
individual is looked with infirmity, making another identity for themselves
might be a route for the individual to manage the circumstance. Alisa had
picked the name Arrow to represent herself as a weapon, she would not like to
choose regardless of whether to execute, so she was a weapon “A weapon does not
decide whether or not to kill. A weapon is a manifestation of a decision that
has already been made” (96). Killing soldiers had not ever come up in her mind
till after the damage was done.

 

When’s one’s
self-begins to think back to the past, they start to acknowledge how their
activities influence their actual personality. The cellist’s music had moved
Arrow, it brought back striking recollections of the past, and her mission to
secure the cellist has allowed Arrow to understand that “She kills just the
same as they do” (109). Arrow soon understands that the citizens in the old
Sarajevo she was battling for, detested people for what they didn’t for their
identity This response starts an expectation inside Arrow that “It’s possible
that someday she Alisa might return. And if Arrow disappears, she knows she’s
killing that girl. She will not come back” (196). Arrow realizes that what she
is doing is in total correlation with “the men on the hills”. These minutes
that hinted at her acknowledgment have influenced her view of the genuine
motivation behind why she is killing ‘the men on the hills.’ The cellist’s
music is one of these motivations to her acknowledgment. As Arrow came around
to her last time listening to the cellist play his music she felt a sense that
something is going to go wrong. Through all the thinking back, and realizing
that when Arrow, at last, removes her cover and says “My name is
Alisa” (258) in a very long while, as if she knows she is going to be
shot. These last minutes enable her to feel some sort of conclusion, that she
did what she should have done. She never again needed to be a weapon, she knew
she needed to feel human again.

 

Captivating
states plays a big impact on one’s sacrifices, they push people to have
confidence in things they could never have and they can change the way an
individual encounters danger. Through the novel, we understand how Arrow is
giving up her own morals and beliefs and her own identity for the betterment of
society. She stopped trying to do anything for herself everything she does now
is only for her city. At the point when an individual sacrifices themselves for
their society they begin to ask why this persona was ever within them in the
beginning. She started to lose herself for her city, yet the city may have lost
itself before she did.

 

The Cellist
of Sarajevo Critical Response to Text

 

What does
this text suggest to you about an individual sacrificing their morality and
identity for the sake of the betterment of their society?

We Will Write a Custom Essay Specifically
For You For Only $13.90/page!


order now

 

At the point
when an individual sacrifices their identity and beliefs for the betterment of
society this can regularly be characterized as selflessness. Captivating
conditions, for example, the Bosnian War, frequently push people to step up
with regards to making self-penances. In Steven Galloway’s novel, The Cellist
of Sarajevo, one can be overpowered with ethically clashing conditions which
push a person to change their past personality and manufacture contempt inside
the person. Disdain is a primary driver of the decision to make these penances.
Arrow, one of the main characters who is an expert riflewoman who works for the
city, whose duty is to execute the adversaries on the hills regularly alluded
to as “The men on the hills”. All through the novel, we watch her
battle with deciding how to manage compelling conditions. Arrow’s decision to
answer for managing these conditions is to forfeit every last bit of her past
ethics and personality to keep the city she has experienced childhood in, safe.
In these conditions an individual may wind up endeavoring to extend her ability
to sacrifice herself to pick up another personality; notwithstanding, through
difficulty, she may end up dealing with surrendering who she used to be is
depriving her of her past ethics and identity.

 

At the point
when people are brought towards harsh circumstances, they may need to conflict
with their past morality for the survival of themselves and their city. Since
the making of her persona, Arrow, Alisa has encountered a few changes amid her
character curve, in which her profound quality and good compass are put to a
definitive test. The first being when Arrow was searching for the ideal shot at
two troopers in the stairwell. Arrow discloses why she shoots at these
warriors, “She is different from the snipers on the hills. She shoots only soldiers.
They shoot unarmed men, women, children. When they kill a person, they seek a
result that is far greater than the elimination of that individual. They are
trying to kill the city” (11). The thought on why the warriors murder unarmed
regular folks help Arrows scorn towards “The men on the hills” her
conviction that she is superior to them essentially in light of the fact that
she shoots them due to their identity and what they do pushes her to settle on
decisions she could never have made. Not long ago, she was 18, Arrow was given
the genuine importance of life and how valuable it will be “It’s a rare gift to
understand that your life is wondrous and that it won’t last forever” (12). Arrow’s
need to feel safe in her city revolves around her shooting soldiers that
endanger her homeland and its citizens. She believes that keeping the citizens
of Sarajevo safe has now become her duty. Changing what she believes in enables
her to become a security monitor to the city. She tries to make the city to
feel sheltered as it was once not too long ago. Arrows past beliefs do have
some impact on the decisions she makes while killing soldiers, she jumps at the
chance to pick her own particular targets and in some intense circumstances she
is just ready to pick one individual out of a gathering “And if she must choose
just one of the soldiers she would like to make the right choice, if there’s a
right choice” (15). She still needs the satisfaction of knowing that she is
making the right decision, so she discovers approaches to contrast herself from
the soldiers and convinces herself that she is protecting Sarajevo and is
making the right decisions in Sarajevo’s conditions. Arrow’s morals were never
to hurt any sort of individual, “the woman who sat in this office on that day
and said she didn’t want to kill anyone was gone” (71-72). Since Alisa adjusted
to another persona, she has lost her past beliefs, because she knew her skill
would come to use to protect the citizens of Sarajevo and also be used towards
her survival throughout the war. When an individual rids themselves of their
previous morals it creates a whole new persona for them.

 

When an
individual is looked with infirmity, making another identity for themselves
might be a route for the individual to manage the circumstance. Alisa had
picked the name Arrow to represent herself as a weapon, she would not like to
choose regardless of whether to execute, so she was a weapon “A weapon does not
decide whether or not to kill. A weapon is a manifestation of a decision that
has already been made” (96). Killing soldiers had not ever come up in her mind
till after the damage was done.

 

When’s one’s
self-begins to think back to the past, they start to acknowledge how their
activities influence their actual personality. The cellist’s music had moved
Arrow, it brought back striking recollections of the past, and her mission to
secure the cellist has allowed Arrow to understand that “She kills just the
same as they do” (109). Arrow soon understands that the citizens in the old
Sarajevo she was battling for, detested people for what they didn’t for their
identity This response starts an expectation inside Arrow that “It’s possible
that someday she Alisa might return. And if Arrow disappears, she knows she’s
killing that girl. She will not come back” (196). Arrow realizes that what she
is doing is in total correlation with “the men on the hills”. These minutes
that hinted at her acknowledgment have influenced her view of the genuine
motivation behind why she is killing ‘the men on the hills.’ The cellist’s
music is one of these motivations to her acknowledgment. As Arrow came around
to her last time listening to the cellist play his music she felt a sense that
something is going to go wrong. Through all the thinking back, and realizing
that when Arrow, at last, removes her cover and says “My name is
Alisa” (258) in a very long while, as if she knows she is going to be
shot. These last minutes enable her to feel some sort of conclusion, that she
did what she should have done. She never again needed to be a weapon, she knew
she needed to feel human again.

 

Captivating
states plays a big impact on one’s sacrifices, they push people to have
confidence in things they could never have and they can change the way an
individual encounters danger. Through the novel, we understand how Arrow is
giving up her own morals and beliefs and her own identity for the betterment of
society. She stopped trying to do anything for herself everything she does now
is only for her city. At the point when an individual sacrifices themselves for
their society they begin to ask why this persona was ever within them in the
beginning. She started to lose herself for her city, yet the city may have lost
itself before she did.

 

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